This is a set of 7 ORIGINAL Lobby Cards. Each Card measures 11" x 17" They do have some tack marks, staples, side tears, the title card has tape marks on the sides. Please see images. It was used to promote the classic M.G.M. Metro-Goldwyn Mayer 1954 Adventure Drama Romance,


In Colombia, mining engineer Rian Mitchell discovers Carrero, the lost emerald mine of the Conquistadors, but has to contend with notorious local bandit El Moro's gang and with coffee planter Catherine Knowland's love. Rian Mitchell discovers an emerald deposit in South America, but gets chased away before he can start to mine. He tricks his partner, Vic, into returning to the site. While there, he meets Catherine and Donald Knowland, siblings who run a coffee plantation. Rian falls for Catherine and is torn between his love for her and his love for the "green fire" of emeralds.

Director: Andrew Marton

Writers: Ivan Goff, Ben Roberts (Charlie's Angels)

Stars: Stewart Granger, Grace Kelly, Paul Douglas

The entire cast included:

Stewart Granger ... Rian X. Mitchell
Grace Kelly ... Catherine Knowland
Paul Douglas ... Vic Leonard
John Ericson ... Donald Knowland
Murvyn Vye ... El Moro
José Torvay ... Manuel (as Jose Torvay)
Robert Tafur ... Father Ripero
Joe Dominguez ... Jose
Nacho Galindo ... Officer Perez
Charlita ... Dolores
Natividad Vacío ... Hernandez
Rico Alaniz ... Antonio
Paul Marion ... Roberto
Bobby Dominguez ... Juan

It is a nice set of Lobby Cards featuring an all star cast from a great MGM film!!!

Shop with confidence! This is part of our in-store inventory from our shop which is has been located in the heart of Hollywood where we have been in business for OVER 40 years!

MORE INFO ON GRACE KELLY: Grace Patricia Kelly was born on November 12, 1929 in Philadelphia, Pennsylvania, to wealthy parents. She was the daughter of Margaret Katherine (Majer), a phys ed instructor, and John Brendan Kelly, Sr., a three-time Olympic Gold winner for rowing. Her uncle was playwright George Kelly. She was of half Irish and half German descent. Her girlhood was uneventful for the most part, but one of the things she desired was to become an actress which she had decided on at an early age. After her high school graduation in 1947, Grace struck out on her own, heading to New York's bright lights to try her luck there. Grace worked as a model and made her debut on Broadway in 1949. She also made a brief foray into the infant medium of television.

Not content with the work in New York, Grace moved to Southern California for the more prestigious part of acting -- motion pictures. In 1951, she appeared in her first film entitled Fourteen Hours (1951) when she was 22. It was a small part, but a start nonetheless. The following year, she landed the role of Amy Kane in High Noon (1952), a western starring Gary Cooper and Lloyd Bridges which turned out to be very popular. In 1953, Grace appeared in only one film, but it was another popular one. The film was Mogambo (1953) where Grace played Linda Nordley. The film was a jungle drama in which fellow cast members, Clark Gable and Ava Gardner turned in masterful performances. It was also one of the best films ever released by Metro-Goldwyn-Mayer. Although she got noticed with High Noon, her work with director Alfred Hitchcock, which began with Dial M for Murder (1954) made her a star. Her standout performance in Rear Window (1954) brought her to prominence. As Lisa Fremont, she was cast opposite James Stewart, who played a photographer who witnesses a murder in an apartment across the courtyard while convalescing in a wheelchair. Grace stayed busy in 1954 appearing in five films. Grace would forever be immortalized by winning the Academy Award for Best Actress for her portrayal of Georgie Elgin opposite Bing Crosby in The Country Girl (1954). In 1955, Grace once again teamed with Hitchcock in To Catch a Thief (1955) co-starring Cary Grant. In 1956, she played Tracy Lord in the musical comedy High Society (1956) which also starred Frank Sinatra and Bing Crosby. The whimsical tale ended with her re-marrying her former husband, played by Crosby. The film was well received and also turned out to be her final acting performance.

In the summer of 1954, Kelly and Cary Grant were on the French Riviera, working on To Catch a Thief. It was probably the scene after Grace speeds along the Moyen Corniche to quickly get to the "picnic grounds", and away from a tailing police car, that she had time to look at the Mediterranean and the countryside along the coast. "Whose gardens are those?" she asked screenwriter John Michael Hayes. "Prince Grimaldi's". She would not meet the prince until the following year. In New York in March 1955, she received a call from Rupert Allan, Look Magazine's west coast editor, who had become a friend since writing three cover stories on her. The French government wanted her to attend the Cannes Film Festival that May. She had some good reasons to go. One: The Country Girl (1954) would be shown at the festival. Two: she had really loved working on the Riviera the summer before. She met Prince Rainier of Monaco during the Cannes festival. He needed a wife, because with no heir to the throne, Monaco would again be part of France, after his death, all its citizens would have to pay French taxes. And Kelly thought it was time for her to select a husband, one who would finally meet with her parents' approval.

Her biographers show that the life of a princess was not exactly living happily ever after. Old friends from Philadelphia as well as people she had known in Hollywood reported how glad she was to talk about her life in America and to be speaking English. And then on a cliff road she had known so well since her first visit to the Riviera, there was the fatal crash. The spot is often said to be the same spot where the picnic scene from To Catch a Thief was filmed in 1954. However, Kelly's own son, Prince Albert of Monaco, has categorically denied this on Larry King Live and elsewhere; according to him, the accident did not even happen on the same road, let alone at the same spot.

For the rest of her life, she was to remain in the news with her marriage and her three children. On September 14, 1982, Grace was killed in an automobile accident in her adoptive home country, Monaco, at age 52.

MORE INFO ON STEWART GRANGER: Stewart Granger was born James Leblanche Stewart in London, the grandson of the actor "Luigi Lablache". He attended Epsom College but left after deciding not to pursue a medical degree. He decided to try acting and attended Webber-Douglas School of Dramatic Art, London. By 1935, he made his stage debut in "The Cardinal" at the Little Theatre Hull . He was with the Birmingham Repertory Company between 1936 and 1937 and, in 1938, he made his debut in the West End, London in "The Sun Never Sets". He joined the Old Vic company in 1939 appearing in 'Tony Draws a Horse' at the Criterion and 'A House in the Square' at the St Martins He had been gradually rising through the ranks of better stage roles when World War II began, and he joined the British Army in 1940. However, he was eventually disabled (1942) which brought his release from military service.

With a dearth of leading men for British movies he quickly landed his first film opportunity The Man in Grey (1943) for Gainsborough Pictures. This was the first installment of the company's successful series of romance films. Not to be confused with American actor James Stewart, James Leblanche Stewart became Stewart Granger (though he was "Jimmy" to his off-screen friends). But the film work was unsatisfying. He was forever cast as the dashing hero type, while fellow up-and-coming actor James Mason always garnered the more substantial Gainsborough part. When Mason got the nod from Hollywood, Granger inherited better parts and, in some star company in one case, the sophisticated Caesar and Cleopatra (1945) with Claude Rains and Vivien Leigh and a very young bit player already being noticed, Jean Simmons. Grangers lead roles to the end of the decade were substantial, but Simmons was unwittingly moving on into British film history with small but memorable roles for David Lean, Michael Powell, and, in a big way, Laurence Olivier, as "Ophelia" in his historic Hamlet (1948) for which she received an Oscar nomination. Granger and she were brought together as co-stars in the comedy Adam and Evalyn (1949). This time around, the chemistry off-camera was there as well, and they became engaged. About the same time, Granger's hope of interesting Hollywood was realized for him and his bride-to-be. He married and signed with MGM in 1950. Once in Hollywood, he was getting star billing leads in romantic roles that the audiences loved, but he found them still unsatisfying. He also found himself heir apparent to Errol Flynn as a swashbuckler in two popular films: the remake of The Prisoner of Zenda (1952) and Scaramouche (1952). He and Simmons were paired in Young Bess (1953), where Granger had the romantic lead, but Simmons was the focus of the movie.

Through the 50s, the films of each might have fairly equal production values, but as the fortunes of Hollywood go, Simmons was the more memorable star in films that were more popular-some very big hits, the later Elmer Gantry (1960) and Spartacus (1960). That sort of undeclared competition for a married Hollywood couple was poison to the marriage. In 1960, they divorced. Granger did a lot of work in Germany, along with some in Italy and Spain in the 60s. Interestingly, in the same period Simmons was finding the same lack of challenging roles in the US. In the 70s and 80s, Granger was relegated to small screen subsistence with regular TV roles along with a few movies and a stint on the New York stage. And ironically, Simmons was in the same boat during that period. Granger's typecasting was nothing new, but certainly his often scathing criticism of Hollywood and its denizens that came out in his autobiography "Sparks Fly Upwards" was understandable and rang true with so many other stories dealing with illusive stardom. Though he was candid in his disgust with his whole career - and admittedly he did not have the depth for the range of roles allotted to bigger named actors - nonetheless he always turned in solid performances in the roles that became his legacy.

This item is part of Backlot Movie Memorabilia and collectibles in-store inventory from our shop which is located in the heart of Hollywood, where we have been in business for OVER 40 years!!!

GREEN FIRE Original GRACE KELLY Stewart Granger LOBBY CARD Photo Set of 7 1954
Item #BMM0003617