$9.99


From WALT DISNEY PICTURES, This is an ORIGINAL 11" x 15" Uncut 12 page PRESSBOOK. It has some ware and waviness at the top like it had moisture.

It has great photos, biographies, synopsis ad slicks for newspapers and promotional tie-ins to promote the It has that great Disney artwork. It was used to promote the 1973 Walt Disney family comedy feature film,

Charley and the Angel

Charley is a workaholic family man that finds out from an angel that his "number's up" and he will be dying soon so he tries to change his ways and be a better husband and father with the time he has left.

Director: Vincent McEveety

Writers: Will Stanton (novel), Roswell Rogers

Stars: Fred MacMurray, Cloris Leachman, Harry Morgan

Cast

Fred MacMurray ... Charley Appleby
Cloris Leachman ... Nettie Appleby
Harry Morgan ... The Angel formerly Roy Zerney
Kurt Russell ... Ray Ferris
Kathleen Cody ... Leonora Appleby
Vincent Van Patten ... Willie Appleby
Scott C. Kolden ... Rupert Appleby (as Scott Kolden)
George Lindsey ... Pete, Handyman
Edward Andrews ... Ernie, Banker
Richard Bakalyan ... Buggs
Barbara Nichols ... Sadie
Kelly Thordsen ... Policeman
Liam Dunn ... Dr. Sprague
Larry D. Mann ... Felix
George O'Hanlon ... Harry, Police Chief

Pressbook is a nolstagice look at this film even with the slight wear, light fold in middle. Great for fans of this classic film! Great artwork like the classic films of yesterday!

Shop with confidence! This is part of our in-store inventory from our shop which is has been located in the heart of Hollywood where we have been in business for OVER 40 years!

More info on KURT RUSSELL: Kurt Russell landed a part in the Elvis movie, "It Happened at the World's Fair", when he was 10 years old. In 1960, Walt Disney himself signed Russell to a 10 year contract. Once his stint as a child actor ended, he spent the early 1970s playing minor league baseball. In 1979, he gave a classic performance as Elvis Presley in John Carpenter's ABC-TV movie. He followed with roles in a string of well-received films: "Used Cars", "Escape from New York", "The Thing" and "Silkwood". In 1983 he met Goldie Hawn when they worked together on "Swing Shift". The two have lived together ever since. The movie was a failure - as was their next one together, "Overboard". During the 1980's, Russell starred in a rash of disappointments: "The Best of Times", "Big Trouble in Little China" and "Winter People". Finally, his career seemed to be seriously stalled. He only landed "Tango and Cash" after Patrick Swayze dropped out; Dennis Quaid was the first choice for the part in "Backdraft". In the end, these two roles were key in re-establishing him as a box-office draw. Russell and Hawn live on a 72-acre retreat, Home Run Ranch, outside of Aspen. He has two sons, Boston (from a brief marriage to actress Season Hubley) and Wyatt with Hawn). More info on Stephen McHattie: Brooding actor of the 70s with sunken cheeks best known for his role of James Dean in the 1976 mini-movie which co-starred ex-wife Meg Foster. Also played the evil Gabriel in the TV series "Beauty and the Beast." Has a twin brother named Sidney. First marriage was annulled by the father of the bride. Graduated from the American Academy of Dramatic Arts when he was 21. Of Scottish and Irish descent. Has appeared in episodes of two different series with Scott Bakula in which he played a character involved in mining: he played a Russian miner named Stawpah in the "Quantum Leap" (1989) series finale "Mirror Image" and an alien mine foreman in the "Enterprise" (2001) episode "The Xindi". Perhaps his most famous appearance is in the "Star Trek: Deep Space Nine" (1993) episode "In the Pale Moonlight", where he plays Romulan Senator Vreenak, who Captain Sisko ('Avery Brooks' ) attempts to dupe into believing that the Dominion is about to invade his homeland. That episode is considered by many to be one of Star Trek's finest.

MORE INFO ON FRED MacMURRAY: Fred MacMurray is likely the most underrated actor of his generation. True, his earliest work is mostly dismissed as pedestrian, but no other actor working in the 1940s and 50s was able to score so supremely whenever cast against type. He was born in Kankakee, Illinois to Frederick MacMurray and Maleta Martin. When MacMurray was five years old, the family moved to Beaver Dam, Wisconsin. He earned a full scholarship to attend Carroll College in Waukesha, Wisconsin and had ambitions to become a musician. In college, MacMurray participated in numerous local bands, playing the saxophone. In 1930, he recorded a tune for the Gus Arnheim Orchestra as a featured vocalist on "All I Want Is Just One Girl" on the Victor label. He appeared on Broadway in the 1930 hit production of "Three's a Crowd" starring Sydney Greenstreet, Clifton Webb and Libby Holman. He next worked alongside Bob Hope in the 1933 production of "Roberta" before he signed on with Paramount Pictures in 1934 for the then-standard 7-year contract (the hit show made Bob Hope a star and he was also signed by Paramount). MacMurray married Lillian Lamont (D: June 22, 1953) on June 20, 1936, and they adopted two children. Although his early film work is largely overlooked by film historians and critics today, he rose steadily within the ranks of Paramount's contract stars, working with some of Hollywood's greatest talents, including wunderkind writer-director Preston Sturges (whom he intensely disliked) and actors Humphrey Bogart and Marlene Dietrich. Although the majority of his films of the 30's can largely be dismissed as standard fare there are exceptions: he played opposite Claudette Colbert in seven films, beginning with The Gilded Lily (1935). He also co-starred with Katharine Hepburn in the classic, Alice Adams (1935), and with Carole Lombard in Hands Across the Table (1935), The Trail of the Lonesome Pine (1936) -- an ambitious early outdoor 3-strip Technicolor hit, co-starring with Henry Fonda and Sylvia Sidney directed by Henry Hathaway -- The Princess Comes Across (1936), and True Confession (1937). MacMurray spent the decade learning his craft and developing a reputation as a solid actor. In an interesting sidebar, artist C.C. Beck used MacMurray as the initial model for a superhero character who would become Fawcett Comics' Captain Marvel in 1939. The 1940s gave him his chance to shine. He proved himself in melodramas such as Above Suspicion (1943) and musicals (Where Do We Go from Here? (1945)), somewhat ironically becoming one of Hollywood's highest-paid actors by 1943, when his salary reached $420,000. He scored a huge hit with the thoroughly entertaining The Egg and I (1947), again teamed with Ms. Colbert and today largely remembered for launching the long-running Ma and Pa Kettle franchise. In 1941, MacMurray purchased a large parcel of land in Sonoma County, California and began a winery/cattle ranch. He raised his family on the ranch and it became the home to his second wife, June Haver after their marriage in 1954. The winery remains in operation today in the capable hands of their daughter, Kate MacMurray. Despite being habitually typecast as a "nice guy", MacMurray often said that his best roles were when he was cast against type by Billy Wilder. In 1944, he played the role of "Walter Neff", an insurance salesman (numerous other actors had turned the role down) who plots with a greedy wife Barbara Stanwyck to murder her husband in Double Indemnity (1944) -- inarguably the greatest role of his entire career. Indeed, anyone today having any doubts as to his potential depth as an actor should watch this film. He did another stellar turn in the "not so nice" category, playing the cynical, spineless "Lieutenant Thomas Keefer" in the 1954 production of The Caine Mutiny (1954), directed by Edward Dmytryk. He gave another superb dramatic performance cast against type as a hard-boiled crooked cop in Pushover (1954). Despite these successes, his career waned considerably by the late 1950s and he finished out the decade working in a handful of non-descript westerns. MacMurray's career got its second wind beginning in 1959 when he was cast as the dog-hating father figure (well, he was a retired mailman) in the first Walt Disney live-action comedy, The Shaggy Dog (1959). The film was an enormous hit and Uncle Walt green lighted several projects around his middle-aged star. Billy Wilder came calling again and he did a masterful turn in the role of Jeff Sheldrake, a two-timing corporate executive in Wilder's Oscar-winning comedy-drama The Apartment (1960), with Shirley MacLaine and Jack Lemmon -- arguably his second greatest role and the last one to really challenge him as an actor. Although this role would ultimately be remembered as his last great performance, he continued with the lightweight Disney comedies while pulling double duty, thanks to an exceptionally generous contract, on TV. MacMurray was cast in 1961 as Professor Ned Brainerd in Disney's The AbsentMinded Professor (1961) and in its superior sequel, Son of Flubber (1963). These hit Disney comedies raised his late-career profile considerably and producer Don Fedderson beckoned with "My Three Sons" (1960) debuting in 1960 on ABC. The gentle sitcom staple remained on the air for 12 seasons (380 episodes). Concerned about his work load and time away from his ranch and family, Fred played hardball with his series contract. In addition to his generous salary, the "Sons" contract was written so that all the scenes requiring his presence to be shot first, requiring him to work only 65 days per season on the show (the contract was reportedly used as an example by Dean Martin when negotiating the wildly generous terms contained in his later variety show contract). This requirement meant the series actors had to work with stand-ins and posed wardrobe continuity issues. The series moved without a hitch to CBS in the fall of 1965 after ABC, then still an also-ran network with its eyes peeled on the bottom line, refused to increase the budget required for color production (color became a U.S. industry standard in the 1968 season). This freed him to pursue his film work, family, ranch, and his principal hobby, golf. Politically very conservative, MacMurray was a staunch supporter of the Republican Party; he joined his old friend Bob Hope and James Stewart in campaigning for Richard Nixon in 1968. He was also widely known one of the most -- to be polite -- frugal actors in the business. Stories floated around the industry in the 60s regarding famous hard-boiled egg brown bag lunches and stingy tips. After the cancellation of My Three Sons in 1972, MacMurray made only a few more film appearances before retiring to his ranch in 1978. As a result of a long battle with leukemia, MacMurray died of pneumonia at the age of eighty-three in Santa Monica on November 5, 1991. He was buried in the Holy Cross Cemetery in Culver CityFred MacMurray is likely the most underrated actor of his generation. True, his earliest work is mostly dismissed as pedestrian, but no other actor working in the 1940s and 50s was able to score so supremely whenever cast against type. He was born in Kankakee, Illinois to Frederick MacMurray and Maleta Martin. When MacMurray was five years old, the family moved to Beaver Dam, Wisconsin. He earned a full scholarship to attend Carroll College in Waukesha, Wisconsin and had ambitions to become a musician. In college, MacMurray participated in numerous local bands, playing the saxophone. In 1930, he recorded a tune for the Gus Arnheim Orchestra as a featured vocalist on "All I Want Is Just One Girl" on the Victor label. He appeared on Broadway in the 1930 hit production of "Three's a Crowd" starring Sydney Greenstreet, Clifton Webb and Libby Holman. He next worked alongside Bob Hope in the 1933 production of "Roberta" before he signed on with Paramount Pictures in 1934 for the then-standard 7-year contract (the hit show made Bob Hope a star and he was also signed by Paramount). MacMurray married Lillian Lamont (D: June 22, 1953) on June 20, 1936, and they adopted two children. Although his early film work is largely overlooked by film historians and critics today, he rose steadily within the ranks of Paramount's contract stars, working with some of Hollywood's greatest talents, including wunderkind writer-director Preston Sturges (whom he intensely disliked) and actors Humphrey Bogart and Marlene Dietrich. Although the majority of his films of the 30's can largely be dismissed as standard fare there are exceptions: he played opposite Claudette Colbert in seven films, beginning with The Gilded Lily (1935). He also co-starred with Katharine Hepburn in the classic, Alice Adams (1935), and with Carole Lombard in Hands Across the Table (1935), The Trail of the Lonesome Pine (1936) -- an ambitious early outdoor 3-strip Technicolor hit, co-starring with Henry Fonda and Sylvia Sidney directed by Henry Hathaway -- The Princess Comes Across (1936), and True Confession (1937). MacMurray spent the decade learning his craft and developing a reputation as a solid actor. In an interesting sidebar, artist C.C. Beck used MacMurray as the initial model for a superhero character who would become Fawcett Comics' Captain Marvel in 1939. The 1940s gave him his chance to shine. He proved himself in melodramas such as Above Suspicion (1943) and musicals (Where Do We Go from Here? (1945)), somewhat ironically becoming one of Hollywood's highest-paid actors by 1943, when his salary reached $420,000. He scored a huge hit with the thoroughly entertaining The Egg and I (1947), again teamed with Ms. Colbert and today largely remembered for launching the long-running Ma and Pa Kettle franchise. In 1941, MacMurray purchased a large parcel of land in Sonoma County, California and began a winery/cattle ranch. He raised his family on the ranch and it became the home to his second wife, June Haver after their marriage in 1954. The winery remains in operation today in the capable hands of their daughter, Kate MacMurray. Despite being habitually typecast as a "nice guy", MacMurray often said that his best roles were when he was cast against type by Billy Wilder. In 1944, he played the role of "Walter Neff", an insurance salesman (numerous other actors had turned the role down) who plots with a greedy wife Barbara Stanwyck to murder her husband in Double Indemnity (1944) -- inarguably the greatest role of his entire career. Indeed, anyone today having any doubts as to his potential depth as an actor should watch this film. He did another stellar turn in the "not so nice" category, playing the cynical, spineless "Lieutenant Thomas Keefer" in the 1954 production of The Caine Mutiny (1954), directed by Edward Dmytryk. He gave another superb dramatic performance cast against type as a hard-boiled crooked cop in Pushover (1954). Despite these successes, his career waned considerably by the late 1950s and he finished out the decade working in a handful of non-descript westerns. MacMurray's career got its second wind beginning in 1959 when he was cast as the dog-hating father figure (well, he was a retired mailman) in the first Walt Disney live-action comedy, The Shaggy Dog (1959). The film was an enormous hit and Uncle Walt green lighted several projects around his middle-aged star. Billy Wilder came calling again and he did a masterful turn in the role of Jeff Sheldrake, a two-timing corporate executive in Wilder's Oscar-winning comedy-drama The Apartment (1960), with Shirley MacLaine and Jack Lemmon -- arguably his second greatest role and the last one to really challenge him as an actor. Although this role would ultimately be remembered as his last great performance, he continued with the lightweight Disney comedies while pulling double duty, thanks to an exceptionally generous contract, on TV. MacMurray was cast in 1961 as Professor Ned Brainerd in Disney's The AbsentMinded Professor (1961) and in its superior sequel, Son of Flubber (1963). These hit Disney comedies raised his late-career profile considerably and producer Don Fedderson beckoned with "My Three Sons" (1960) debuting in 1960 on ABC. The gentle sitcom staple remained on the air for 12 seasons (380 episodes). Concerned about his work load and time away from his ranch and family, Fred played hardball with his series contract. In addition to his generous salary, the "Sons" contract was written so that all the scenes requiring his presence to be shot first, requiring him to work only 65 days per season on the show (the contract was reportedly used as an example by Dean Martin when negotiating the wildly generous terms contained in his later variety show contract). This requirement meant the series actors had to work with stand-ins and posed wardrobe continuity issues. The series moved without a hitch to CBS in the fall of 1965 after ABC, then still an also-ran network with its eyes peeled on the bottom line, refused to increase the budget required for color production (color became a U.S. industry standard in the 1968 season). This freed him to pursue his film work, family, ranch, and his principal hobby, golf. Politically very conservative, MacMurray was a staunch supporter of the Republican Party; he joined his old friend Bob Hope and James Stewart in campaigning for Richard Nixon in 1968. He was also widely known one of the most -- to be polite -- frugal actors in the business. Stories floated around the industry in the 60s regarding famous hard-boiled egg brown bag lunches and stingy tips. After the cancellation of My Three Sons in 1972, MacMurray made only a few more film appearances before retiring to his ranch in 1978. As a result of a long battle with leukemia, MacMurray died of pneumonia at the age of eighty-three in Santa Monica on November 5, 1991. He was buried in the Holy Cross Cemetery in Culver City.

This item is part of Backlot Movie Memorabilia and collectibles in-store inventory from our shop which is located in the heart of Hollywood, where we have been in business for OVER 40 years!!!

CHARLEY AND THE ANGEL Walt Disney PRESSBOOK Fred MacMurray 1973
Item #BMM0003056