This is an ORIGINAL 1-Sheet Movie Poster, OVER 65 YEARS OLD, measuring 27" x 41".

It does have top left cut corner. Colors are still bright, some wear on back. It's a nice looking poster because of the color. Framed would look amazing!!!

This original poster was used to promote the 1950 M.G.M. Metro-Goldwyn Mayer Musical Motion picture,

Nancy Goes to Rio

Director: Robert Z. Leonard

Written by: Ralph Block & Jane Hall

Mother and daughter (Sothern and Powell) compete over same singing role and, unbeknownst to each other, the same man.

Nancy Goes to Rio is a musical comedy film released by Metro-Goldwyn-Mayer in 1950. It was directed by Robert Z. Leonard and produced by Joe Pasternak from a screenplay by Sidney Sheldon, based on a story by Ralph Block, Frederick Kohner and Jane Hall. The music was directed and supervised by George Stoll and includes compositions by George and Ira Gershwin, Giacomo Puccini, Jack Norworth and Stoll.The film stars Ann Sothern, Jane Powell, Barry Sullivan, Carmen Miranda, Louis Calhern and Scotty Beckett.

Nancy Goes to Rio is a remake of the 1940 film It's a Date, also based on the story by Block, Kohner and Hall, starring Deanna Durbin. Kay Francis and Walter Pidgeon starred in the roles of Durbin's mother and grandfather.

On the closing night of a Broadway play, leading actress Frances Elliott {Ann Sothern]] hosts a party attended by many guests, including her eccentric father Gregory (Louis Calhern), who is also an actor; her seventeen-year-old daughter, Nancy Barklay (Jane Powell), an aspiring actress; and Brazilian playwright Ricardo Domingos, who is considering starring Frances in his next play.

Frances eagerly pursues the part in Ricardo's play, and though she is virtually assured of the role, Ricardo asks her not publicize the news until a final decision is made. Later, Ricardo privately tells Frances' producer that Frances may not be right for the part and that he had a younger actress in mind. Then, when Ricardo meets Nancy, he instantly knows that he has found the perfect young woman for the role.

The next day, Frances sets sail for Rio de Janeiro, where she intends to vacation and devote herself to studying her lines. Gregory accompanies Frances to Rio, while Nancy, who is about to star in a small stock company play, goes to Connecticut. After observing Nancy's acting abilities, Ricardo offers her the part that he promised Frances. Nancy accepts the role, though she is unaware that Ricardo has already promised it to her mother.

Seeking the quiet she needs to study for the part, Nancy follows her mother and grandfather to Rio. On board the ship, businessman Paul Berten overhears Nancy rehearsing her lines and mistakenly concludes that she is a deserted wife and an expectant mother. Paul takes pity on Nancy and enlists the help of his business partner, Marina Rodrigues (Carmen Miranda), to counsel the young girl.

Nancy does not know that Paul is trying to help her and mistakes his paternal concern for a marriage proposal. She rejects Paul's apparent proposal, and bids him farewell when the ship reaches Rio.

Soon after she is reunited with her mother, Nancy overhears her rehearsing her lines and immediately realizes that they are studying for the same part. The revelation devastates Nancy and prompts her to bow out of the play. She does not tell her mother that she was set to star in Ricardo's play, and instead informs her that she came to Rio to get married.

Confusion abounds when Nancy later visits Paul at his office and tries to accept the marriage proposal she thought he had made. Paul is perplexed by her behavior, and still thinks that Nancy is pregnant and troubled. He sends her home to talk to her mother about her situation, but Nancy misunderstands him and thinks that he meant for her to discuss their impending marriage with her mother.

Marina follows Nancy to her mother's house, and privately tells Frances about Nancy's supposed pregnancy. The confusion is heightened when Frances misunderstands her daughter's anguish and concludes that she must be pregnant by Paul.

Frances demands a private meeting with Paul, during which he reveals his romantic attraction to Frances. Frances leaves Paul in disgust, but the situation is soon clarified when Paul tells Gregory that he had only just met Nancy on the boat. Gregory immediately recognizes Nancy's supposed predicament from the story of the play that Frances was reading, and explains the situation to Frances.

When Frances learns the truth about Paul, she changes her impression of him and they embark on a romance. After announcing her engagement to Paul, Frances withdraws from Ricardo's play and suggests Nancy as her replacement. All ends happily when the show opens in New York with Nancy in the starring role.

The entire cast included:

Ann Sothern ... Frances Elliott
Jane Powell ... Nancy Barklay
Barry Sullivan ... Paul Berten
Carmen Miranda ... Marina Rodrigues
Louis Calhern ... Gregory Elliott
Scotty Beckett ... Scotty Sheridan
Fortunio Bonanova ... Ricardo Domingos
Glenn Anders ... Arthur Barrett
Nella Walker ... Mrs. Harrison
Hans Conried ... Alfredo
Frank Fontaine ... The Masher
Bando da Lua ... Themselves

Poster features great colorful photo and art images. Nice for the MGM lover!

Shop with confidence! This is part of our in-store inventory from our shop which is has been located in the heart of Hollywood where we have been in business for OVER 40 years!

MORE INFO ON CARMEN MIRANDA: Carmen Miranda was born Maria do Carmo Miranda Da Cunha on February 9, 1909 near Porto, Portugal in the town of Marco de Canavezes. Not long after her birth, Carmen's family moved to Brazil where her father was involved in the produce business. The family settled in the then-capital city of Rio de Janeiro. After leaving school, Carmen got a job at a local store where she spent time singing on the job. Before long, she was discovered and began singing on a local radio station. Ultimately, Carmen wound up with a recording contract with RCA. By 1928, she was a genuine superstar in Brazil. As with other popular singers of the era, Carmen eventually made her way into the film world. She made her debut in the Brazilian documentary A Voz Do Carnaval. Two years later Carmen appeared in her first feature film entitled Alo, Alo Brasil. But it was Estudantes that seemed to solidify Carmen in the minds of the movie going public. Now they realized she could act as well as she could sing. Although there was three years between Alo, Alo Carnaval (1936) and Banana Da Terra (1939), Carmen continued to churn out musical hits in Brazil. The latter film would be her last in her home country. Later in '39, Carmen arrived to much fanfare with the press in New York City. She was now ready to capture American's hearts with her talent. She appeared in some musical revues on Broadway and, just as everyone thought, was a huge hit. In 1940, Carmen was signed to appear in the Twentieth Century-Fox production of Down Argentine Way with Betty Grable and Don Ameche. The only complaint that the critics had was the fact that Carmen was not on the screen enough. In 1941, she was, again, teamed with Ameche and also Alice Faye in That Night In Rio. Once again, this movie was extremely popular with the theater patrons. Her unique songs went a long way in making her popular. It was after the film Weekend In Havana (1941), that American cartoon artists began to cash in on Carmen's ever growing popularity. In the 1930s and 1940s, cartoons were sometimes shown as a prelude to whatever feature film was showing. Sure enough, the cartoon version of Carmen came wriggling across the screen, complete with her trademark fruit hat and wide, toothy grin. In 1942, Carmen starred in Springtime In The Rockies with Betty Grable and Cesar Romero, both with whom she had worked with before. It was shortly after this that America began adopting her style of dress as the latest fad. 1944 saw her in three films, such as Something for the Boys, Four Jills In A Jeep, and Greenwich Village. The first two did well at the box-office, but the last one left a lot to be desired. It was her last busy year in film. Carmen made one film each in 1945, '46, '47 and '48. Two years without a film and Carmen was back in Nancy Goes To Rio in 1950, a production for MGM. Once again she went into a drought only to return in 1953 in Scared Stiff. She did stay busy, singing on the nightclub circuit and appearing on the relatively new medium of television. However, Scared Stiff was her final performance on the silver screen. On August 4, 1955, Carmen suffered a heart attack, although she didn't realize it at the time, while taping a segment for the Jimmy Durante Show. She went home after attending a party (she neither drank or smoked). Early the following morning, on August 5, Carmen suffered a fatal heart attack. She was just 46 years old. Her body was flown to her adopted country of Brazil where her death was declared a period of national mourning.

MORE INFO ON JANE POWELL: Jane Powell (born Suzanne Lorraine Burce; April 1, 1929) is an American singer, dancer and actress.

After rising to fame as a singer in her home state of Oregon, Powell was signed to Metro-Goldwyn-Mayer while still in her teens. Once there, the studio utilized her vocal, dancing and acting talents, casting her in such musicals as Royal Wedding, with Fred Astaire, A Date with Judy, with friend Elizabeth Taylor, and Seven Brides for Seven Brothers, with Howard Keel. In the late 1950s, her film career slowed, only to be replaced with a busy theater and television career.

As of 2010, Powell lives with her fifth husband, former child star Dickie Moore, in New York City and Connecticut, and is still active in television and theater. The only child born to Paul E. Burce (a Wonder Bread employee) and Eileen Baker Burce (a housewife) in Portland, Oregon, Powell began dance lessons at the age of two. Powell was born a brunette, with straight hair. In an attempt to liken her appearance to Shirley Temple, Powell's mother took her to get her first perm the same year she began dance lessons. It wasn't until she starred in Technicolor pictures that she became a blonde.

At five, she appeared on the children's radio program Stars of Tomorrow. She also took dance lessons with Agnes Peters, and it was there that the Burce family met Scotty Weston, a talent scout and dance instructor. He convinced the family to move to Oakland for Powell to take dance lessons, in hopes of her being discovered. However, Weston's lessons were held in a large, dark, damp ballroom packed full of other starlet hopefuls, and after three months of living in a hotel room and eating meals cooked on a hot plate, the family moved back to Portland. Paul Burce had quit his job of 14 years to move to Oakland, and was unable to get it back when they returned. The family moved into an apartment building owned by friends, and Paul soon became the manager after the friends left. While there, and while helping her father take the garbage out, Powell would sing. Tenants insisted that Powell should take lessons, and after saving their money, began singing lessons for her.

At 12, Powell had her career taken over by a local promoter, Carl Werner, who helped her get selected as the Oregon Victory Girl. She traveled around the state for two years, singing and selling victory bonds. It was during this time that she first met Lana Turner. Powell presented her with flowers and sang for her. Years later, when they met again at MGM, Turner did not remember her. According to Powell, even after meeting her many times, Turner never remembered who she was.

During her time as the Oregon Victory Girl, Powell had two weekly radio shows. During the first, she sang with an organ accompaniment, and during the second, she sang with an orchestra and other performers. She had attended Beaumont Grade School in Portland and Grant High School.

During the summer of 1943, Paul and Eileen Burce took their daughter on vacation to Hollywood. There, she appeared on Janet Gaynor's radio show Hollywood Showcase: Stars over Hollywood. The show was a talent competition, and among the other contestants were Kathie Lee Gifford's mother, Joan Epstein. Powell won the competition, and soon auditioned with Louis B. Mayer at MGM as well as David O. Selznick. Without even taking a screen test, Powell was then signed to a seven-year contract with MGM. Within two months, Powell had been loaned out to United Artists for her first film, Song of the Open Road.Powell's character in Song of the Open Road was named Jane Powell, and it was from this that her stage name was taken.

In 1945, Powell sang Because at the wedding of Esther Williams and Ben Gage. MGM years

Within her first few years at MGM, Powell made six films, appeared on radio programs, performed in theatre productions (including The Student Prince) and even sang at the inauguration ball for President Harry S. Truman on January 20, 1949. When not making films, Powell traveled to theaters around the country doing a vaudeville act, which she hated

Powell's second film was Delightfully Dangerous, which Powell called the "worst movie she's ever made." During her third film, Holiday in Mexico, Powell met her future friend, Roddy McDowall. Holiday in Mexico was her first Technicolor film; her first two films had been black and white.

Powell's charm and spunk made her stand out in her follow-up vehicle Three Daring Daughters, originally titled The Birds and the Bees, in which she co-starred with Jeanette MacDonald, who took the young performer under her wing. The film proved another hit and she was given top billing in a string of Joe Pasternak-produced musicals including A Date with Judy (1948) with schoolmate Elizabeth Taylor. She made Luxury Liner, a 1948 romantic musical comedy film, and Nancy Goes to Rio (1950) with Ann Sothern.

Powell worked side by side with Fred Astaire in Royal Wedding (1951), when she was brought in to replace June Allyson, who had become pregnant, and then Judy Garland, who dropped out due to illness. According to film historian Robert Osborne, in a six-minute scene in the movie, Powell and Astaire match witty banter, sing and dance in a performance that showcased the actress's energy and talent. "We can also see her comic ability, in that number", Osborne said. "She's hilarious—chewing gum, swinging her hips, and acting like a 'tough broad'. It's too bad MGM didn't capitalize more on her comedic side." Her best-known film is probably Seven Brides for Seven Brothers (1954), opposite Howard Keel, which gave her the opportunity to play a more mature character than previous films. Her other films include: Rich, Young and Pretty (1951), Small Town Girl (1953), Three Sailors and a Girl (1953), Athena (1954), Deep in My Heart (1954), Hit the Deck (1955), and The Girl Most Likely (1957). In 1956 Powell recorded a song, "True Love", that rose to 15 on the Billboard charts and 107 on the pop charts for that year, according to the Joel Whitburn compilation. This was her only single to make the charts.

In 1956, Powell performed the song "I'll Never Stop Loving You" at the 28th Academy Awards.

Her roles include the touring productions of Unsinkable Molly Brown, Most Happy Fella, The Boy Friend, Brigadoon, The Sound of Music, Oklahoma!, My Fair Lady, Carousel, Meet Me in St. Louis, Peter Pan, The Girl Next Door and How She Grew, and Irene, in which she made her Broadway debut, following Debbie Reynolds in the title role. She and Howard Keel also appeared on stage together in a revival of Seven Brides for Seven Brothers, I Do! I Do! and South Pacific.

Powell also toured in 1964 in a musical review entitled, "Just 20 Plus Me!" It was done to a recorded track and featured Powell with 20 handsome "chorus boys". Asked after the performance if the production was going to be made available on a commercial recording, she said simply, "No."

In the early 1980s she toured in the comedies Same Time, Next Year, The Marriage-Go-Round, and Chapter Two.

In 1996 and 1997 she appeared in the off-broadway production After-Play.

In 2000 she appeared in the off-broadway production Avow, for which she received great reviews for a role which showed off her excellent comedic timing.

During the 1950s and 1960s Powell appeared regularly on television. These credits included guest spots on nearly all the major variety shows of the period such as The Perry Como Show, The Andy Williams Show, The Kraft Music Hall, Frank Sinatra, The Ed Sullivan Show, The Hollywood Palace, The Red Skelton Show, Eddie Fisher, The Dinah Shore Show, The Dean Martin Show, The Smothers Brothers, Jonathan Winters, This is Tom Jones, The Garry Moore Show, The Jerry Lewis Show and The Judy Garland Show. She twice appeared as one of the What's My Line? Mystery Guests on the popular Sunday night CBS-TV program. She also appeared as a guest panelist on What's My Line? and on the ABC musical quiz program, Jukebox Jury. Her television specials included "Meet Me in St. Louis", "Young at Heart", "Feathertop", "The Danny Thomas Show 1967", "The Victor Borge Show", "Ruggles of Red Gap" on Producers' Showcase and "Hooray for Love". Dramatic guest spots included both The Dick Powell Show and The June Allyson Show. She also had a failed pilot for a television sitcom called The Jane Powell Show. Powell was a regular guest on a TV variety shows in Australia when she visited there to perform her nightclub act. She also had a one-off TV special there in 1964.

In the 1970s, she appeared in three TV movies Wheeler and Murdoch, The Letters and Mayday at 40,000 Feet!.

In the 1980s she again guested on "The Love Boat" and "Fantasy Island". Another guest spot was on "Murder She Wrote". In 1985 she started a 9 month run in the daytime soap Loving playing a tough mother and business woman.

At the end of the 1980s and the beginning of the 1990s she also had a regular guest spot on Growing Pains (playing Alan Thicke's mother).

She was a temporary replacement on As The World Turns for Eileen Fulton as Lisa Grimaldi in 1991, 1993, and 1994.

In 2000 she appeared in two TV movies in supporting roles in The Sandy Bottom Orchestra and Perfect Murder, Perfect Town.

Her last major TV appearance was a guest spot on Law & Order: Special Victims Unit in 2002.

She has also appeared on numerous TV Talk shows and co-hosted The Mike Douglas Show in 1970.

Powell lives in Manhattan and (since 1985), in Wilton, Connecticut, with her fifth husband, former child actor Dick Moore. They met when Moore interviewed Powell for a book on child actors. She is a member of the Board of Trustees for the Actors' Fund of America, and still acts and performs to the present day, most recently in a 2002 episode of Law & Order: Special Victims Unit.

In 2003, she made a return to the stage as Mama Mizner in the Stephen Sondheim musical Bounce. Despite Powell's great reviews in the part, Bounce was not critically successful and did not move to Broadway.

For one evening, she returned to her hometown, Portland, Oregon, narrating Sergei Prokofiev's Peter and the Wolf with Pink Martini on December 31, 2007. She also appeared on March 9, 2008, with Pink Martini at Avery Fisher Hall in New York City; she sang a duet of "Aba Daba Honeymoon" with lead singer China Forbes. In March 2009 she appeared and sang "Love is Where You Find It" in a show in which Michael Feinstein celebrated Movie Musicals and MGM Musicals in particular. She performed again with Pink Martini at the Hollywood Bowl on September 10, 2010.

Jane filled in as "guest host" on Turner Classic Movies for Robert Osborne while he was on medical leave July 17–23, 2011.

She has three children from her first two marriages, and has been married five times in total.

Her first marriage was to former figure skater Gearhardt "Geary" Anthony Steffen. He was a former skating partner to Sonja Henie, turned insurance broker. They married on November 5, 1949, and divorced on August 6, 1953. They had two children, Gearhardt Anthony "G.A." (pronounced Jay) Steffen III (born July 21, 1951) and Suzanne "Sissy" Ilene Steffen (born November 21, 1952. Friend and fellow actress Elizabeth Taylor served as one of her bridesmaids, with Powell returning the favor during Taylor's 1950 wedding to Conrad "Nicky" Hilton.

On November 8, 1954, Powell married Patrick W. Nerney, an automobile executive nine years her senior, in Ojai, California. Nerney had previously been married to actress Mona Freeman, with whom he had a daughter, also named Mona. Daughter Lindsey Averill Nerney (Powell states she named her for the California-based olive processor) was born from the union on February 1, 1956. The couple divorced in 1963.

A Republican, she sang the National Anthem at the 1956 Republican National Convention.

Powell's fifth marriage, to former child star Dickie Moore, has been her longest. Powell and Moore have been married since 1988, when they met while Moore was researching for his own autobiography, Twinkle, Twinkle, Little Star, But Don't Have Sex or Take the Car."

Her autobiography was published in 1988.

For her 80th birthday, her husband and Robert Osborne, a film historian and host of Turner Classic Movies, organized a party at a New York hotel for forty-five of Powell's friends and family members.

In 1957, Powell taken surgery for a pneumonia attack she had that night, she survived from having her lungs removed. In 1964, Powell was diagnosed with tuberculous, Powell had her tonsils replaced to clear her tuberculous in 1964. In 1976, Powell survived a heart attack. In 1982, Powell survived pneumonia.

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Item #BMM0002716